The Keeping of Secrets
Arden Cross, Herefordshire · 1943
“Wartime. Everyone has a secret. The killer’s bond to the victim is nothing like it looks.”
Arden Cross does the blackout properly. Curtains stitched shut, headlamps taped down to slits, the church bell silent since 1940. In a village this careful, everyone has learnt to keep something back: a letter, a name, a reason for being out after dark. The war asks it of them, they would tell you. Then a death changes what the word secret is worth, and the tie between killer and victim turns out to be nothing like what you will assume.
That is all the file will tell you. The rest arrives across the five stages, one piece of evidence at a time, and neither of you will see the whole of it until the end.
How this one plays
Two detectives
Just the pair of you on a couch, working the case together. No guests to invite, no costumes, nothing to host.
Five stages
Scene photographs, the victim's file, the first reports, then forensics and statements. Each stage lands on both phones.
It argues back
Log cause of death, prime suspect and motive on the shared screen. When the evidence stops supporting an answer, the board flags it amber.
You both have to agree
A stage only opens when the two of you commit to an answer, so neither of you can quietly skip ahead.
Sixty to ninety minutes
One shared screen, two phones, one evening. Three from three at the end is a clean solve.
The Keeping of Secrets is invented from end to end, and it is built to mislead. There is no real case behind it, nothing to look up, and nothing you can spoil by reading around it beforehand.
The solution is fair. Every piece of evidence you need reaches your phones before you are asked to name anybody, and the misdirection is in how the pieces are arranged rather than in anything being withheld from you.
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One case, two detectives, one night in. Your access code arrives by email the moment you pay.